A Violent Striking Together of Two Bodies

The intensity of calm. The brevity
of long summer days. Free radical

wellness. She can’t justify using
the word oxymoron in a poem.

She can’t justify
any poem she’s written—

left, full, or ragged
right. She’s more dash,

less of a mark. More ruin, less
shame. More hypo, less hyper.

She’s a hand stretching to strangle
a throat into an interesting effect.

A song spoken first. A lullaby iuxta.

Less horizontal, she’s more
a tree not yet ready to crash.

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