She knows this dock—
each splinter, barnacle,
hurricane-spared stilt.
It is not a plank. It’s where she walks.
She knows how to dive,
has been doing it for years.
No easing into the wash,
she plunges in and is used to it
before others awake.
This is underworld—closets, caves, shelves,
trenches, forests, hydromedusa, brittle
stars, Painlevé’s camera.
This is where she should live—
she who is a sponge
is a sponge is a sponge.
She will never work a room
on dry land, works the ocean floor
with the precision of a jelly bloom.
To become exposed to air,
the rising sun. It is her death
to appear before all of us.
Metal crushes metal on a distant street, emergency
sirens approach
closer, closer. A muffled distortion underwater.
Leave her enough sea room.
She would rather synchronize her own sculls
outside a tank
than be confounded by a mirage of closing night roses
she can’t reach without a body.
Love those last five lines, especially. But the whole poem, also.
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Thanks, Jeff!
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I love the visualizations
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