Never End a Poem with Home

Without permission,
her pilot light
blue eyes lock
onto a boldly painted
arrow on a sign.

It points left
to a back room
she knows well but
not from this angle. It’s not
a secret to be

uncurled. Another sign
in another place
on another street points
left too. Blocking
the only revolving

door in sight, it says in chalk:
“Use Revolving Door.”
This is how messages
come undone without being
erased. It takes 12 years

to put Adam back together
from shattered marble

fragments. Blue

weakens to yellow.
An 85-year-old
woman gets raped
in her apartment. The weakest

flame is a murmur
that signals some
of us home.

October 12, 2014

I’ve folded his poem into an imperfect
square aka
a rectangle to read later not sure when
maybe on the plane
before it takes off maybe tonight in the hotel
before I turn off the light maybe never but

I know I won’t be able to resist
reading another poem
entitled Saudade and hope to write a memorable one
of those myself some day
for now I settle for titles like strays chrome
before browsing mutate mule etiquette
fit for drinking this is becoming
a nonlinear prose poem except

I am trying to pay attention
to line breaks
and may succeed
impeach you would be another example
and of course you can never write too many
poems called daffodil or

and especially the take no heroes hotel my personal favorite
wish it could be the title
of a book of poems not just one floating
on the polished surface
of a Midwestern lake
who decided it was cool to hang
framed family photos on the stair case wall
they call that wetting the whistle with water
this time I wouldn’t gum up his works I wouldn’t

the date October 12
stares back at me again
time to declare no more bones
on display take away this Columbus Day
we are all thieves

Strays

Not exactly a rip
current but enough of a drag
to rearrange her.

Where are we?
Where’s our stuff?

See my car beyond
the collapsing seawall?

Identifying cars has never been her
strength. A weakened
swollen left foot

finds relief
in the cool salt

water. Nothing hurts
in this moment. Gang

shootings happen weekly
back home. Heads down, eyes
locked in, a knot

in the throat that can’t be loosened
by the contents

of any of those 10,000 +
lakes. By blood soaking into a little sister’s

sleeve. And swimming here
in a dress, she wishes
she could be more lost.

Mule Etiquette

A blue ink stain
beneath the nail of the middle

finger is residue
from another conversation

he had
with himself. Or some undressed

rehearsal he wrote
his way out of. A hidden trap

door in the wood floor
a woman used once

to escape his
implacable hunger. Today

it’s purple and he’s careful
to keep the tip on point. His lefty
slur asks:

Do you move in a circle, or swim
in your own lane
when you breathe bilaterally?

Figurehead Off the Prow

She could return to the man
who dances with praying
mantises. Or, to the water—colder

on the second day. Or,
another man

she hasn’t spoken to
in over 20 years. She sees him—does he
see her? She imagines

how she might reinvent
his gaze. How he would look

underwater when the ocean
has calmed. Or, what he’d do
if a fox started following him.

Now she doesn’t even know
which man she means.

It’s all a wild ride
that begins in a dinghy
her uncle named after her.

Behind Monumental

A large white dollhouse
with green shutters
on a folk art pedestal
seduces her. Not

those shell-encrusted
parlor memorials, painting
of the Pilgrim Monument, replica
of a whaling vessel. She’s

a little embarrassed
to be still playing with dolls’
homes. Tiny artisans
and a beehive furnace

in a model
of a 19th-century glassmaking factory
could take her away
for a night or two.

Fear of heights gets no purchase
inside a life in miniature.

Bolt

The color
pink speaks out

of turn, interrupts red

with a white streak
of thought

grenades. It rains.
Lightning decorates

the lilac sky. Waiting
for a serious dose

of thunder—there is
no blue.

No One Can Claim Me

Was that you
who almost ran
over me

with your bicycle
wheeling down France?

Were you thinking
of hitting me? I get lost

in the suburbs
on warm weekend afternoons
when no one’s

looking. Did you realize
you might be touching
the unclaimed?

Our Trespasses

Again she asks
the water
droplet on a corner
table who owns

the land. Who
owns you—precious

liquid, tiny reservoir
of truth? What’s

an embarrassment
of papers mean
in a flood? Or,
incurable thirst? I’ll mop

you up—but
I won’t buy.

Rockford, IL

She moves not
just faster but
better when

she doesn’t know
the time. Forecasts
or predictions or
guesses or could be

wishes. A continuum
that ties her
to a fence

just like the wooden
plank one
those boys affixed
her to when

she was three. She couldn’t
tell time
then—was she free?