She divides her days into
before and after
he died.
Into with and without. Into
physical and spiritual.
She believes
in god in phases
of the moon’s breaking
open to become sliced
beams of light. A blue one
puts him to rest.
She divides her days into
before and after
he died.
Into with and without. Into
physical and spiritual.
She believes
in god in phases
of the moon’s breaking
open to become sliced
beams of light. A blue one
puts him to rest.
An invisible hand
rips pages
in the dark. There are
hungry ghost
editors looking to be
fed. Perforated thought
slips through
translucent clutches—
a porous wisdom
visible from the river’s west bank.
For My Father
The Mississippi flows
a calm at my feet
to send the message
in ripple effect:
I must trust
that your spirit will continue
to guide and nudge me
(despite inevitable snags) the way
you always did
when you were alive.
for my father
We step inside the octagon
pillar. And we ascend.
Each turn of the spiral
stair breaks another one of your words
from its memory foothold—
loom ing
bar ri er
in can des cent
sand bar
un der tow.
Syllables smash
against the white-washed
concrete floor base below
and dissolve without leaving
any echo
residue. 1764, the year
it was built, splits
open—decades spill
onto the treads we’ve just climbed.
By the time we reach
the lanthorn, the Fresnel lens
freshly cleaned and functioning
into the 21st century, the sky
has cleared for us
to see in all directions—Atlantic Ocean,
Jersey Coast, Verrazano Narrows
Bridge, the Empire State
Building 20 miles north.
In the heat trapped inside and panorama opening wide, whole sentences fly
off our tongues, circumnavigating
enunciation. Did they jump,
or were they pushed? I can retrieve them
later, if you wish. For now,
it’s just you and me, Dad,
on the beam
that can be seen 19 miles
at sea on a clear night.
For now, we are the fixed white light.
A life to dog-ear,
to return to the moment
without forgetting, to be
so alert
to the music inside
the lines, she asks
you politely, then breathless—
the begging begins.
She accidentally drops
a penny
into a plastic cup
filled with water.
Aiming for the tip
jar, how did she miss?
Whose water—
now magical
or polluted? No one
notices. She decides
on magic,
and it would be
peace for you, Dad.
A sip of iced garden
mint chamomile tea
and she wants
to believe in more
than the dead
kit below her building
stoop, the fluid
filling her father’s lungs,
the beautiful five
o’clock shadow
framing your face. Mid-syllable,
she comes to. A trance-induced
dialogue snaps
shut. She blinks. Assesses
her surroundings
with fingertips cooled
by glass perspiration. Who
have I been talking to? She asks.
Who will answer? A murmur
behind a smile and she disappears
through the wall
becomes a door.
Diffuse
weepers align
with this place where she stood,
held up the world’s concentration,
and sighed.
Public agencies to water
lawns in the early hours
before it all rushes
off. Evidence of afternoon showers
completes redundant
circles she dodges
on her walk
home. It was silver puddle
nonsense till
the blood returned.
The swine
show will go on
despite threats of harsh flu.
But she prefers urban rabbits
in parks.