When she who is a cowlick
becomes a main character in high anxiety
drama playing through intersections, it’s time
to remove all straight lines, time
to take the long way home on foot.
When she who is a cowlick
becomes a main character in high anxiety
drama playing through intersections, it’s time
to remove all straight lines, time
to take the long way home on foot.
Either these falls are shrinking
or this river’s high.
Traffic stops
for you when you no longer trust. You’re walking
across blind
spots, a stone embankment and swerve
to tease the dead. You have predicted
you would join those left-handed ghosts
when the right of way
becomes cursed, your body,
upon impact
a weightless parcel
through early spring
air. It’s always an April day
just a half hour before
sunset—civility
in dimming lights dancing off
city streets so many miles before
the skyline disintegrates
into a watery horizon. It’s guess work,
and it’s hard to know when it will crest.