Big Sur

How to memorize a place
like Big Sur
without becoming a thief
is a mystery no cabin

key with a plastic Holiday Inn
shaped tab can slide into, let alone
unlock. It hurts
to witness this dangerous

beauty’s power to break into
the securely fastened chamber
of emotion inside
me. It’s not the dilemma

of choosing to die by a roadside
snake bite or by becoming roadkill
under the wheels
of a musician who never was your lover’s van.

It’s not a choice. The white line will crop the shoulder
how it will at the most substantial curves
in the two lane highway. And I won’t remember
when they come—so busy trying to commit

the impossible reality
of rock and wave and height and crash
to a memory that cannot be
committed. And I could be
in my wobbly attempt.

Question of Property

“I almost called these poems
Pickpocket Blues
because they are the repetition
                              by memory
                      of earlier poems
                        stolen from me
b y    t w e l v e    t h i e v e s.”
—Jack Kerouac, from the 2nd Chorus of “Orizaba 210 Blues” (Book of Blues

She doubts her bones
will be put on display.  Sees 

how she is blessed.  To be a thief
in this time is what’s left. If he channels you 

to music, how will she tune in, listen,
take away what she can 

to call her own? If possession
is nine tenths, she has her doubts 

about the other tenth—does believe
it has something to do with the shape 

of the moon and whether she bothers
to look for it each night. Did she steal 

that one too?

Dead Dragonfly

At rest in a crack in the sidewalk, you
are my first outdoor capture. 

It’s a digital finale
to a naturally 3D life.  The green and purple 

beauty of your wings
has not yet rubbed off. A flash 

of rain makes me scramble
to protect my equipment. I slip 

it and the figment
of you into a purse pocket 

specially designed for the occasion.  I can’t
help but feel like a thief in all dimensions.