Viscose

Footbridges are her chalkboard.
She erases the night
with her tongue. No spitting

allowed. If she could write
like you used to
speak, she’d drop

all R’s
(reading, ‘riting, ‘rithmetic)
to make room for one long

queue that snakes
along those unmarred banks.
But she just can’t do it.

Any Day Now

Old fillings fall out—old
infatuations rise
up—old habits move
on—old stories settle
in—I’m not so old I can’t tuck
myself into the next
roll over.

This Inventory Is a Lie

I borrowed a list of resentments
from a stranger

on a train. I’m not even pissed
at you for dying. Maybe later.

I was once—angry—when
you accused me
of starving

myself. But even that rocking
is an empty dinghy

beneath the old drawbridge—
no sail, no wind.

The Eve

She wears
no mask to honor
those dead—in her own
voice. A preoccupation
with cemeteries may end
tomorrow. Or her identity
will be revealed
by other naked means.

I Am Chronic

Each poem, drunk, diary
entry. Each smoke, vitamin,
obsession. Each song
lyric, verbal tick, chapter
read. Each piece
of chocolate, mile
walked, resentment nursed.
I am each reprieve.

Glass Plan

To run a marathon, write
a book, publish
a poem, make
love to a woman, join
a commune, find
a home, see the world,

to call it a day
is to spin my own

epitaph on a 3 x 5
note card, index
my breath, become obsessed
with chasing my own
past, is to take
a long ride on a train.

Token Rolls

With that simple placement
of a single red
rose in your tended
gravesite flowerbed

I say good-bye. Still I see
your face, hear your voice
in strangers conversing
as they do their jobs

in your hometown. Whoever reads
the message I attached to the thorn
will know the code
to break your inappropriate hold

on my life. Some symbols
need to die.

On the Slope

She tucks a note
into the flower bed beside

his tombstone to start
an anonymous conversation

with all the other cemetery
saviors who may hit this graveyard

before leaves camouflage
the beginning and end

dates engraved in stone
and mute everything in between.