Water meets water,
she turns to witness
your exchange. A stick
snag mud morning
before the sun breaches
all birth of unwoven sound. She turns again
to wait
the long steel blue
wait. It’s got to be
a full moon tonight.
Water meets water,
she turns to witness
your exchange. A stick
snag mud morning
before the sun breaches
all birth of unwoven sound. She turns again
to wait
the long steel blue
wait. It’s got to be
a full moon tonight.
On a grayscale
from blizzard to moonless
night, she rates you scattered
clouds and the smiling bright
new 35W Bridge.
Flawed, yes,
tragically so—
a quilt harboring one dropped stitch,
a chip embarrassing the Wedgewood china’s finish,
a cloud tarnishing the Algarve sky in July—
so flawed we strive in vain
to convince the trees,
the dune grass and wind working together
to whistle away our fear
of the bay’s seduction of the moon,
to convince every dastardly piece of dirt crumble
we trod upon
that we too are perfect beauty,
that our skin, our bones,
every dip, pucker, relief, and jut
of our faces is designed as such
not just so we will collide into
and detract from ourselves,
but because we fit within it
that is pretty
for its own sake.
But we are wrong,
forever beautifully wrong
because we are naked apes,
an atrocity to the birches,
to the green whips in the sand,
an aberration the moon responding to the bay unforgives
because we hold only the surface beauty
required to continue striving, procreating,
and striving again
against the tide.