One person’s tomorrow
is another’s yesterday. I could
be another Janus
unable to decide. But
I’d rather be
the seam where it all spills
into now.
One person’s tomorrow
is another’s yesterday. I could
be another Janus
unable to decide. But
I’d rather be
the seam where it all spills
into now.
They say be
in the moment.
I say I want to be
in that moment—that night
three summers ago
on a boat as it changes
its course beneath the Brooklyn Bridge.
Pause into slow turning, live
guitars propel the motion.
Or that moment after
the boat has docked
on the bank of the Cuyahoga,
the sound of guitars
still rings
in my ears—lips
on mine before I know
what or who
is happening. But not that
moment followed by the next
of seemingly unending sea
sickness on a ferry
as it rocks across
the Aegean. And not that one still
to come that I cannot
fathom. How do I become
willing to let go of the old rail
to recognize when another exalted one
might strike? This question hangs
on tight.
She walks deserted streets. Not the real
you, but one
she’s been fabricating
with rope, leftover images
from an old black-and-white
film. She believes in
rewind, fast forward,
long pauses. The sun
reveals gray
in all its shades—romance
along a wave length,
a particle spinning
and at rest.
She has no way
of knowing where you are,
what you might be
doing in this moment.
Only hopes
you’re in it,
touching something
more real than this
creation that dissolves
under the light.