Ghosting

I forget
to say good-bye
to the bridge
before I cross it.

My silence
becomes the silence
in a field after a cattail fire
finally dies out.

Your eyes
tell me
to do it.

I trade rough
air for rough
water and swim
where I used to drown

before you
and those dangerous eyes.

I erase the horizon
with a cloth
covered in blood—

could be a fermented
raspberry smoothie
that exploded
in my hand.

I spit out
the wine
before it spits
out me.

Just in time
to hear the last minute
of “Night Fever,”

I want to walk one more block
beneath an elevated subway line
in a white dress
and platform shoes.

I want to dance alone
to the end

of a pier you and I saw
but were too afraid
to approach.

I won’t turn my back
on the waterfront,
or pretend
to be a contender.

What are we going to do
when Robert DeNiro is gone,
when the children have never heard of
Greta Garbo or Marlon Brando?

What’s that trick
when the artist draws
an entire world on a stucco wall
without lifting his brush?

Why is it a crime
to run a sentence
the full length of the sky,
but not a pencil line?

Color forgives
the wave its naked trespasses
in the dark.

The wide black vinyl belt
slips down too far now—
I hold my breath
against the eye doctor’s orders.

Because I could never ghost
anyone, especially you, or him, or him,
even if you invented the method,
used it on me more than once.

I don’t know what to say
about stalkers except

I hope they all get lockjaw
and spend eternity
in the Rust Belt.

My neck hurts
not from looking in both directions,
but from spinning my head
360 degrees like a good spinster.

Or solo musician who unscrews his,
places it in the passenger seat
so he has someone to talk to
on the lonely road.

It isn’t really funny,
but we laugh anyway
because he has those crazed eyes
and desire to see modern dance moves

in the elbow
of the man who stands
behind me.

All the widowed words
hesitate to walk into a bar.
No one wants to go first,
to be so alone again.

Greta Garbo would have
pushed one
inside the swinging door

just to watch the expression
it makes before falling
into place.

I might change my name
to tetanus
to honor all those ghosts,
I mean stalkers.

I mean who’s to say
it won’t end tomorrow,
or tonight, if the sky clears.

I believe every day
should be a Wednesday
night in the Flats.

When I find no stage
or maligned river,
I go searching for them
inside my wrecked heart.

He saw the scar you left,
licked it before I bit his cheek.
We laughed till the sun rose
in another Rust Belt city.

Ruined for this life, I hear
a solitude whisper to me
in an afterhours glow.

I lie in the middle
of an empty, one-way street
I love beyond reason
without a fear.

He Can Scream

louder than a bagpipe drone
she won’t hear him
where she is
she’s not dead
just to him

he can’t keep it up
all night
he’s hoarse
his throat and jaw
and back ache

it’s too hot
and hollow
in the bedroom
he tries to sleep
on the couch

is a chaise
is too short
would be
even for her
if she were here

he has nightmares
when he finally falls
into a fitful one
gets a rash on his forearm
from the heat

she doesn’t hear him
he stops caring
when ghost became a verb

The Myth of Being Double-Jointed

“To love is to be a fish.
My boat wallows in the sea.
You who are free,
rescue the dead.”
—David Ignatow (“Rescue the Dead”)

to find a secret hollow
in an open field
to be

so fermented
to listen only
to the lowest ones

to harbor and worry
memories
to wear them out

to give an imaginary friend
the silent treatment
a muse a leave of absence
a guardian angel permission
to tweet what’s seen
when you lock the door at night

to release your grip
on the balcony rail
to choose to live nowhere

near the scene
of your last kiss
with anyone not just him

to believe in
marionette strings
more than a mannequin pose

is to be
the rescuer
and the rescued

Retreatable

When the breeze begins
to burn and fire pit flames
grow too high and hot,
she stands close by.

It’s when things cool down,
she sees her error.

Alone in the yard,
she slowly steps
backward—the direction
she knows best.

It pains her
not to run.

Everything silent, still
under a slate sky,
she removes herself
with an eye on a worn life

preserver with wings
propped against a fence.

Basic Miracle of Music

Let’s play lazy
eights and live
forever one night
in September.

The humidity won’t
bring us closer
to the outro
or its echo
repeating in
dark green.
A pigeon tries
to balance

on a hummingbird
feeder. You and I
were so
dimorphic. Tomorrow’s

sun will set
two minutes earlier
than it did today.
It will take me

two minutes longer
to memorize
those faces
decked out
in red and black.
It’s not just me—
all women look good
in red. I am

the erasable kind.
I won’t smear or smudge
or stain your fingers
the way the others do.

I fit snugly
inside a milk chute
no one bothered
to brick up.

Look for me
there where

I’ll be gently waking
the ruby-throated ones.

Lost & Found Summer

I look for you
everywhere—beneath grates
and cellar doors
that open onto city sidewalks.

On the Brooklyn Bridge
pedestrian ramp
next to a woman selling
sliced mango.

In the Fulton Street subway station.
Behind that window
covered by Banksy’s (or Mr. Brainwash’s)
“Love is the Answer” Einstein.

In the Hudson, over the underpass,
inside the fermented
raspberry smoothie bottle
before it explodes.

An instant murder scene
impersonation stains
a white room
in the Lexington Hotel.

We lose an old friend
to a heart attack in July,
find each other
at his funeral after 31 years.

Maybe you didn’t want
to be found. Maybe I should be losing

myself in Grand Central
sky constellations instead.

Sidewalks of New York Speak

You wander through
your grandmother’s New England garden
in red sneakers with an old red
wooden toy organ
strapped around your neck.
Turning the crank, humming along:

East Side, West Side,
all around the town.

Before you can read
you’ll see the writing
in blue chalk at your feet.

Come find me.
Memorize that map
of my guts.
Know me better
than your own hands
that dig into pockets

in search of
an old subway token
with a tiny Y cut out.

Never learn
to drive. Love my one-way streets
and two-way sidewalks forever instead.

Going Direct

I am a tale
of two cities

ping ponging east
to north midwest
and repeat

the net getting
tangled and slack

big to minnie
no I won’t say it

pomme
there I did

Atlantic Ocean
estuarial to Mississippi

River and falls and lots of lakes
the Spuyten Duyvil
and Minnehaha creeks

four seasons
some longer than others
much longer

so cold so hot so pretty
in October

First Avenue
to the Bowery Ballroom

no more CBGB
no more Uptown Bar

no more every night
with smokes and shots

Walker Whitney
MIA MoMA Met

Central Park
Cedar Lake Trail

High Line
skyway skyway skyway

best of worst of
in a continuous loop
blurs the distinction

Loring Park
Kingsbridge the Bronx
Uptown the Upper West Side

home home
I say it twice

in two different time zones
to mark my place

The Leaving

Walk just a few more blocks
before it’s time
to catch the shuttle
off the island
into Queens
to discover new reasons
to gripe about LaGuardia.

Just one more block
with Greta Garbo
where I can sing of solitude
deep inside the crowd—

compressed /
language /
poetry /
New /
York /
City

Urban Paradox

When in doubt,
when only anonymity
inside the margins
of a crowd will do.

When my heart aches
for the younger me
who lost her father
three years ago.

When I don’t trust
my capacity for keeping
a stiff upper lip
above a lower one that droops.

When I see wild turkeys on train tracks
across from the VA Hospital
and wonder if
one of them is you, Dad.

When I wonder how
to endure one more minute
without you
in this world.

Begin to think
about those other worlds.

Fear trumps peace
and I struggle to forgive

my even younger self
for all the times
she gave away her power
for the wrong reasons—any reason.

And the knot in my throat
makes it hard to swallow
the present moment,
impossible to breathe.

When I feel utterly powerless
and ready to find my strength
and competitive drive again
running up the northern hills in Central Park

because after 31 years
nowhere else
drags it out of me
so completely.

When I’ve got no place
to go
to be so alive,
I go to New York.