let’s all lie
about the weather
take a Sharpie
to the truth
toy with people’s fear
shoot a pistol
into the sky
poke a hole
in the canvas
drain the fountain
to get ready
believe the myth
about being
more powerful than gravity
is god
no amount of rubbing
alcohol will remove
these stains
from our hands
Countdown Clock
Next trip booked,
New York in November
registers this relief.
Hotel Beacon the last two times,
why not inch my way north
to Hotel Belleclaire,
two blocks closer
to the last place in the City
I called home?
I’ll find my way
back to the Bronx
first time in a decade.
Time to touch
all the rivers
that aren’t really
rivers—the Hudson,
the East,
the Spuyten Duyvil—
and then there’s the Bronx,
the only freshwater river
in the City.
I will trace
a route with my tongue,
taste the emptying
with a hand
and heart that refuse
to let go
of the expired
MetroCards in my wallet,
even a bullseye token or two
stashed in a wooden box
filled with European currency
collected before the Euro
united us all.
OMNY present or absent,
I will ride the lines
underground where the City gets real.
Enthalpy and entropy
collide on the third rail.
We’re all falling apart
at least a little bit. What a relief
this reservation brings.
Baymouth Bar
this is no east
of Eden / no fratricide
lake valley
the freighters
come and go
at all hours
the aerial lift bridge
goes up and down
to the same beat
the air numbs
the pain / named or not
I wake in another
hotel room
near another waterfront
for a few brief moments
cannot remember
fresh or salt today
cannot shake
the jamais vu
the sandy stretches
I misplace
beneath my feet
the very feet
I might not recognize
moving in the dark
I look up and wonder how
the aurora borealis
looks from this side
could be time
to redefine too cold
to swim in
Hydrostatic
I could repeat the one
about pretending to be
a tourist in my own town.
I could map a new one
based on a hungover memory
of a lake freighter,
an aerial lift bridge,
and a temper that refused to be
quenched—mine.
I could write
the color red
out of existence,
and the hotel would
still whisper home
to gravity’s
cooled-off night.
It hurts
the ghost.
It laughs
across a ford.
It blinks in unison
with the light
on the broken table.
It will hurt again.
This unnecessary body
balances against
a persistent wind.
The water tower!
Why didn’t I think of it before?
And the sky photobombing above
the way my dead father
would have insisted.
The Speed Limit Is
30
the Your Speed sign reads
you are going nowhere
so fast
I cannot keep up
with your duotone purpose
if I were you
I would confess
you suffer
from such severe
impostor syndrome
because you are
an impostor
those clowns
who wore masks
with your parents’ faces
painted on them
started it
~~~~~~~~~~~~~~~~~~~~~~~~~~~~
your real mother and father
did speed away so fast
I cannot say where
~~~~~~~~~~~~~~~~~~~~~~~~~~~~
it reads
keep your car blindness
to yourself
California Saudade
the small concrete
bridge I crossed
twice a day
for a week
arches over
a seasonal creek
bed bone dry and
filled with gravel
ferns and clover
growing on either bank
a week
among writers
free flowing
wine and conversation
and freshly generated
poems or
at least
inklings
the week
is over
here I am back
in Minnesota
with its hot nights
and Mississippi
high waters
I miss the Napa Valley
already / into this
longing for all
that did or did not
take place
poems begin
to ferment
as long as
I ever so gently
take place
If I Were Brave on El Bonita Avenue
too large to be a domestic cat
too small to be a full-grown bear
a streak of black fur with four legs
darts across the road at sunrise
not willing to investigate
I pivot / redirect my running route
to Main Street where everything grows
wild at a distance
a shrub / a lost cub
a fire hydrant / a dancing one
on hind legs / pronounced snout
and bulging pentagonal eyes
what if it were a black jaguar
or never before seen
melanistic mountain lion
I will never know how close I came
Robots Win Today
a crumpled heap
lying beneath a marching parade
of arrogant motherboards
I am not done
I can hoist myself
through an opening in the dark forest
wait in circuitous quiet
to pounce or be pounced
it’s not over
till my digital twin kisses all
my past loves
good night
Looking Back
You remember Dad
teaching you two, my big sisters,
how to play Monopoly
the evening Neil Armstrong took
that one small step.
The sun would not settle
into the sound for another two hours
on the island.
My obsession
with a silver wheelbarrow
had not kicked in,
the red one years and miles away.
I remember those small steps
to the porch fronting
that rocky beach, the water,
this shrinking land.
Dad taught me
how to tie my shoes
on those steps,
how to swim
in that water,
how to believe in the number
8 and infinity
under that sky.
Each of us remembers
a different moment
from a different angle.
We all remember
the black-and-white turquoise TV
that framed history for our family
that summer events piled up
higher than the sky.
And there’s the view
of all of us
teetering on the edge
of a gibbous form—
tiny, blue, marbelized,
permanently captured
rising above
the limb of the moon.
I’ve Always Been More Moon
than sun
have let men
walk all over me
and my tranquil sea
one of many seas
that aren’t seas
I love you Earth
I am yours
you only know
the half of me
though I may be shrinking
more wrinkles on my skin
with each faulted age
I am not cold as you
thought / can still quake
set the rhythm
to your oceanic ebb
and flow
my moods / my rusty Latin
my maria / marginis / undarum
serenitatis / insularum
frigoris / cognitum / crisium
you see my basaltic plains
I see you see me see you see me
in this tidally locked waltz
through time
not dead / not dead / not dead
not dead yet