Coming soon
in red—Macbeth
crawls up
the sky.
Coming soon
in red—Macbeth
crawls up
the sky.
If she were shooting
photos day
by day, she would look
for you in two-way skyway
motion, would need to
actually see you, then find
a way to take your image
without being exposed.
Impossible. You’re nowhere
near here. Not yet. Not ever
going to take cover
on this second floor winter
salvation. No, she has it
too easy—
this corner table, this pen,
that imagination, the taking
a network of secret lines.
All this talk of the source, the head,
convergence
of three ecosystems—not
to mention bog. I’m here to ask
what about
the middle where we’ll find you
stirring our liquid footprints
with yours to concoct
a cocktail to be drunk
by those waiting at the mouth
to be served.
My weakest hours
come too bright, too central,
too exposed—take me
to the blue hour
where I belong between
definitions.
Your name too terrifying
to say, all those wounds
on display before there were scars.
They say you
are rescuing yourself now. But
back then you were locked
out, no one in Ocean
Grove dared to hold the key.
And I say what
difference does it make—graffiti
on a crumbling wall, the crumbling
wall to come down. What difference
now that your reconstructed
boardwalk no longer holds up
my father’s pedestrian prayers
to one hundred shades
of gray ripple and surf.
Now that he’s too far
from any water’s edge
to speak. What a difference
to see you now.
Once the digging begins, no
reburial will do, no
wildest classroom with doors opening
onto knob and kettle will teach
away sanctity exhumed. No fire
will ruin the virgin red
pine forest for the future. Neither
deer browsing nor beavers damming
can compare to men
logging off time. As endangered
as a slender naiad or ram’s-head lady
slipper, these are words
that leave no footprint.
To be in motion and
at rest over ice, to walk
and talk of the prime
mover and still not believe is
to be without
property, untaxed, free to choose
temperance or the end
of grace in fits and starts.
If she were to hide a circle
poem inside an ivy
covered tree, she might not leave
any coordinates, map, unattended
bag. She might choose the inside
of a piano for her next
cache, might decide to drop
a bomb on the destination nearest
your heart.
If what I’ve heard is true, before there was an Ellis Island,
my great grandfather walked from Liberty
State Park on the Jersey side of the Hudson
to the east side of the Connecticut River
to settle into a milling
life. I can relate to that. If
what I’ve heard is not true, I can relate
to all those letterboxers who’ve lost their find count.
To memorize obstruction,
or just its possibility
in debris flying from men
working, hidden patches of ice
on a side street side
walk, breaks
serendipity
into slivers too thin
to support the weight
of hope, too sharp
to be ignored.