Uncharted

To believe a city’s breathing
can awaken prairie grass,
to know a river
did not freeze

behind her, to inspect
high clouds in search

of an old lover’s
face (any one would do)
is to be
more than a witness

to these strange days,
stranger nights.

Saudade Scraps

The crumbs
she brushes off

the table will become
the place

she dreams
of reaching by train

before civil dawn. And
the rhythm

she feels
will overpower anything

any one
of us might hear.

It’s More than the Step Streets

More than the foot I broke
outside Van Cortlandt Park.
And the friends

and family and
strangers who visited
me up there. To be at the end

of the line
at night and first
on the train the next

morning, to be safely wedged
northwest, to be rich
in two hours’ worth of rhythmic

thought each day is
to be more than the sum
of 160 steps up.

Anything Can Be Sculpture

And under glass: Clifford,
the Blind Fairy, Green
Eggs and Ham, Corduroy,
Celia and the Sweet,
Sweet Water, Elsie
Times Eight, and so on

across the plane
of a table top. Hard
cover nonfiction
for legs. I see no reference
books recycled into rocking
chair runners. No poetry

collection lamp stands. But
with eyes closed
anything can be.

Thinking About Red Birds Again

The flight across pre-spring
parkland on a hot March
morning, or the sinking

to the bottom
of the Atlantic. Pinging
back and forth between

ocean and river, bicycle
wheel and open
window won’t revive

verbs that prefer
to remain dead.

The Ones She Remembers Spill the Most

She opens the cupboard to run
her fingers along those tin
canisters

of sleep. Which one
tonight? Where
does she want to go? Who
does she want

to encounter in her nightgown
in the rain? And those questions
she won’t ask: Why
don’t scandals have names

like hurricanes? Monosyllabic
male names: Jon, Jay,
Bill, Mike, Dirk, Al, Zeus,
Jim, Dick. No doubt

about it—her dreams bend
genres and tend to leak
if tipped too far forward.

Decade of Origin

I’m no longer
a Manhattan with rye,
the suit with one sugar cube, or
the skirt

garnished with a cherry. I’m no longer
eligible to mix
it up on the East Coast. But
visits taken black

filled to the brim
still carry me home.

I’ve Sent the Adverbs into Exile

Packed into a cardboard box
with ly’s dangling
from gaps between
the flaps. I’m done with action

that can’t justify
itself. If an escalator squeaks,
let it squeak. If a cat scratches,
let it. If the box

gets returned to sender
because exile has no zipcode,
let it sit on the stoop
till I’m ready

to unpack it—slowly
cutting off those letters first.