Sandy Hook Light

Arambler's avatarNight & Day Poems of Amy Nash

for my father

We step inside the octagon
pillar. And we ascend.
Each turn of the spiral
stair breaks another one of your words
from its memory foothold—

loom ing
bar ri er
in can des cent
sand bar
un der tow.

Syllables smash
against the white-washed
concrete floor base below
and dissolve without leaving
any echo
residue. 1764, the year
it was built, splits
open—decades spill
onto the treads we’ve just climbed.
By the time we reach
the lanthorn, the Fresnel lens
freshly cleaned and functioning
into the 21st century, the sky
has cleared for us
to see in all directions—Atlantic Ocean,
Jersey Coast, Verrazano Narrows
Bridge, the Empire State
Building 20 miles north.
In the heat trapped inside and panorama opening wide, whole sentences fly
off our tongues, circumnavigating
enunciation. Did they jump,
or were they pushed? I can retrieve them
later, if you wish. For now,
it’s…

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360

Come full circle
is not complete
without the last five

days. Can I keep
the pace of grief
steady? Sequential

dreaming is overrated. Change
the setting, change
the internal

dialogue and all the reed
instruments collected
in one long

narrow room. Corridor
songs round their notes
best without cracking them.

In Six Days

The counting may stop,
the spinning through
a thousand seasons
in a day may
become a memory. Or,
it won’t. Who
can predict
how my feet
will move
on the island
at dawn.

Monday Mornings in August

Hurt my eyes, my bones,
those muscles with memory
make themselves
known. To wake

to news
of a dimness
that has descended
from a light that has been extinguished

permanently—what is left
to fear? He cannot die
all over again,
can he? But the pain

is real. Spasms stun
me into beginning
those stages of awareness,
grief again, out of order.

Or Bluff

The last lift
she achieved
cannot prepare her

(or him)
for any elevation
gained or lost

the next
morning. Hot
or cold, tea

spilled at regular
intervals throughout
this next

day begins

to resemble a channel
not carved
by man (or woman).

In Medias Res

He broke the words
she thought she wanted

to court
him with. She speaks
in whispers

that vaporize
on contact. He took
the long way

around the park
at dusk
to see her

leaving. She does
not know

this could happen
to her again.

Waymarks

She responds more slowly, moves
more deliberately
as if her body has made a choice:

To be less
impulsive, more
responsible to the overall balance

of energy
in the world. To be still
long enough to receive

satellite signals
that will navigate her

to hidden trails
maintained by those
who are too soon gone.

Rerouted

An old park viewed
from a heightened
angle. Which bird’s
eye? Left or right or
mind’s? Will the 21st-century
Cyclops fly? How
will I capture
it with my butterfly
net? What about you?

No Names

They are
pointless. A 20-year age

gap. Don’t label
me that other

name for puma
when I haven’t leapt

on any prey. Figures
he played

guitar in a former
life. I wrote geography

books for kids
in one of those. Scroll

into a building
on a street

in a city
of the world mapped

without any
borders beyond

those city limits. Don’t
print it—walk it

off. A 20-year
gap looks so tiny

on this hand
held device. Who

holds mine next
may not be in hiding.

Before Outdoor Music and Movie Night

Gray explosions
on white on
a shower

curtain say more
than a rainbow
garden of stripes

or petals or
letters of an alphabet
gone mad. And

the red

towel hanging
over the bar

becomes the doorway
to fabric tunes

in motion. Splat
ball in a claw

foot tub might sound
like this.