1991: A Poem

Dream. Premonition. Mortality
begins now. I give him an anecdote
in a letter—he’ll never receive
my gift. If equilibrium exists, where’s my

ecstasy? My sister and I watch boats go
up and down the terrifyingly calm

Cuyahoga. Aboard the floating
Heartbreak Hotel, it’s all so close—
the banks of the river, a rail bridge ahead, the crushing
of fantasies. But it doesn’t happen

that way. The world begins to tip in a slowed motion. Sights
and sounds expand beyond their original limits. I watch

from another planet as he walks up the aisle. A kiss,
a hand in hand. Shall I be so bold
as to ask you? He asks. We kiss
as if the elevator door would never open again. Lovely

feet and hands. Brown eyes that turn cloudy
green or bottomless black at will—not his. When

he makes love, he talks. He loves
those vocal chords. I retreat
to the lobby bathroom to check
if I’m still wearing

my own skin. Is it mine? Still? Indeed.
Gravity is overrated.

Robert De Niro

You came to me
in a dream I’m trying to rehabilitate.
I didn’t know I needed a raging bull.
Can’t confirm that I do. A Peugeot

pepper grinder won’t jam
my soul the way you might. It’s not the violence
in the ring but
some kind of beautiful

destruction within—all
in the name of poetry.

Dial an Arbor

One hundred Bronx trees can speak
along the Grand Concourse. She wants to believe
they’ll speak

without the drink, will be interactive, won’t tumble
into monologues
with the arrogance to think

they are so different. She’s going to continue
to listen for them through light
rain and substantial winds. The stories they will tell.

Tear Down

She speaks of rivers—
Mississippi, Ouse, Styx,
Hudson, Cuyahoga,
Lethe—to remember
what it means
to be. Real or mythic,
head or mouth, east
or west bank, locked
or free falling—visions
collect at the bottom. A bed
of dreams she prayers
won’t become nightmares
to expose her ambivalence
about hands folded, knees
as pressure points, what can be gained
by this position over
another stance. Or to walk
along truth flows south.

Carnet

Spiral sprung, perforation
splitting before its time,
this old Mead memo
tablet has no end
without flipping over itself

to begin again.
The safest way out
of this circular
function is to slam
the covers shut—you

still inside—return
it to the shelf
with the others
where you belong.

Closer

Turns out it was his ambivalence
she couldn’t resist. Turns out she’d rather

get mistaken
for a bag lady than drive a vehicle through

the earth’s heart. Turns
out she might like to wear broad-rimmed sun

hats this summer the way she gave up winter
scarves at the end

of the millennium. Flux
isn’t passion, isn’t nearly

as exquisite
as changing her own mind.

Lost Art

A legacy of doing
the math, a grandmother with a sixth
grade education and pitch thirst, knew

her numbers.
This social networking age tallies
what can’t be counted

on and loses
track of each heart beat. It could be
my job not to forget.

Day 3,042

This fat day,
with its bare branches, precedes no more

ashes for me.
Wipe foreheads, clocks, songs, stairs, smoke
stands, seeds, souls

down. Just for today. Tomorrow I still may
go lean.

Sottobosco

Angry late winter wind blows
apart my image
of you—a figure
with feet firmly planted, set apart
from the others. A bed

of needles for any season, a nest
of thought that could incubate
lady slippers to outgrow
their endangerment—
it’s time. Time to cup

my hands into an annual
vessel to catch the belief
again. It leaks, its surface
has become cracked
and stained. Still, each year

I return to the O horizon.
These patterns that define

my fingers—could they be
next? I wonder if I can forget
myself for another spell to hold
that essence of things this time around.