“The Mississippi River, magnetic engines roar,
sad songs keep the devil away.”
—Jay Farrar (Son Volt, “Angel of the Blues”)
These songs
are homecomings.
One—“Angel of the Blues”—
returns me to the roots of true
saudade.
“The Mississippi River, magnetic engines roar,
sad songs keep the devil away.”
—Jay Farrar (Son Volt, “Angel of the Blues”)
These songs
are homecomings.
One—“Angel of the Blues”—
returns me to the roots of true
saudade.
Train, work, play,
power, of the cross,
radio, gas, TV,
recharging, weigh,
and other stops
to be made.
The shortest
distance between
two images
is a poem.
The shortest distance
between two thoughts
is a poem.
The shortest distance between
two emotions is a poem.
The
shortest
distance
between
two
cities
is
a
poem.
The shortest distance between two strangers is a poem.
The shortest distance
between two designer
putt-putt golf
holes is a poem.
Distance between—a poem.
Nothing straight will do.
There was meeting you. And younger
brothers—real
and imaginary. My first close encounter
with the third eye of a stormy
near collapse. No time for window-shopping.
A blur, and I would be back. In the midst
of it, I didn’t know that yet. You
would die before I got so dirty
in the gritty City
I couldn’t escape
a never-ending love affair
not even moving would break. And
I didn’t get to tell you about it
when you were alive, so how about now?
Once upon a time,
a 13-year-old girl emerged
from Penn Station,
and so it begins.
In a dream not that long ago,
he celebrated
a rare
moment being
anonymous by sitting next
to me—
close. But I knew. Thighs
touching just as I remember
they did
once or twice or thrice before—closer.
In some nonlinear fantasy narrative—
closest.
The writer retires.
This is
finally it—
tiny green buds begin
to break along most tree branches.
So poised.
Fuel leaks out
all over the tarmac
beneath the left wing.
Sandbags. Fire trucks.
Another night
in Austin. Back home
it’s still snowing.
I must revise
my opinion of you. Beautiful—
not terrifying. Tiny and fast and
docile and determined. The calmness
of the Colorado River and Lady Bird
Lake settles as the sun sets.
And we in the boat wait
for you
with your long fingers
and clinging wings to wake. Much chirping
and preparing in the roost before you
emerge from under the Congress
Avenue Bridge to swarm
above the tree line—a 25-mile trek
each way for your nightly
feeding. I must revise.
While dreaming,
our number
transforms into
a symbol
that gives
permission to go
on forever. One
sprawling figure
eight
through the seasons. But
it turns out
8 is not ∞
You have stopped
counting as I build momentum.
Grief can’t be quantified.
I must resort
to art as I carry you
with me on and off
the trace.
“Anonymity is priceless.”
—Jay Farrar, Falling Cars and Junkyard Dogs
At the half
century mark, debris stops
falling long
enough for her
to see stars. Suddenly
she believes
in the power of the speed
of light to guide her
to a place
that needs
no name. Familiar
faces remain
intact. And another
song becomes
a homecoming
she didn’t realize
she was
craving in her sleep.