Ursa Minor

(originally posted July 30, 2013)

I could use a child’s wooden foot
stool to reach the last

days of July. Painted red
or a mustard almost

too rich to see
in summer. So much has been written

about April’s
cruelty, but it is the majestic

peak of August
I cannot bear. Such a short distance

to pitch and tuck
into a somersault

down an observatory crowned
hill toward fall. Before

the month ends,
my father will die

all over again, and life will continue
without him. No ladder will stretch

high enough into the sky
to reach all those stars we reckoned our spirits with.

A Wider Collide

Not a confluence
of two rivers—the calmest
bay sandwiched between
two chops of land.

In her eyes, the front
porch always faces the water.
There ponds and marshes,
even a lagoon, keep the backyard
from drying up. There

no longer knows her footprints.
She walks nowhere
barefoot now. Trespasses
without leaving any ID.

She’s so invisible
she’s free to follow

the oxbow bending
road to its eventual dead end.
A foghorn begins to sound.

Too Late to Shake Hands with the Unlicensed

When the sun rises, first
where you are,
then an hour later
outside my apartment window,

we can see the flames
of a billion candles
inside each moment
if we resist the urge

to swipe our fingers
through the tips. Just for kicks
the way we did
when we were too young

to believe in death.
I am the governess

of my feelings. You, yours.
A bigger fire begins
to burn through the day
into night. Some liar’s pit

on a hill behind a school.
We could be tossing in
all kinds of combustibles.
My governess lets me

stay out all night now,
no questions asked.

It all hinges
on that first kiss—
the one that already happened,
plotted out a billion years ago.

Not one locked gate,
milk chute for crawling through,
car ignition. Not
a single regret.

Lemniscate

Hey, summer solstice,
almost winter solstice here.
We call across an overlapping ribbon
to one another. No echo. No stanza.
No station necessary
in this endless ride. Everything
so perfectly compacted into
longest day shortest night longest night shortest day
stretching every fiber, nerve, strand.
Here we are two specks of gold
glitter stuck to a loop. A pattern
on an ancient sea turtle’s shell. Left earlobe
of a giant with wine-flavored tattoos.
We can’t take our eyes off the horizon
till the inner ear balances. Till vertigo
becomes the rippled gown of Veritas.
We are so broken into imperfect shards
of stained glass, so beyond trick photography
in this crazy 8 ball shaken down world.

Stray into the Estuary

If the whale returns
no longer white.
If a disembodied Cocteau hand
refuses to feed her
the next morning.

If Peter Walsh sells his pocketknife
and Septimus renounces
iron fences. If
she hadn’t feared
needles. If he had.

When Buckminster Fuller meets
Isamu Noguchi
in a Greenwich Village tavern. When
Broadway meets Fifth Avenue
to birth a 22-story skyscraper.

When brackish water splashes onto her deck.
A ferry paused in a channel.

If she touches your lower lip
with her left pinky.

When a gently pressed fingerprint
becomes the new memory.

Latitude Longitude Lies

I have hidden
my big dripping heart
in a secret place. It hangs
from a rack
out of reach.

I believe no one—
not even you—
knows where. I am
so wrong. You’ve passed
by the site

so many times
over decades and degrees.

Never thought to look
till now. It was so easy
for you to find.

Affixed to that thing

all this time.
To what? Where? There.
A number. A symbol.
A geography without coordinates,
my love.

I Think / I Believe / I Am

I think I am touched
by patterns in the dirt.
I believe I am a dirt eater.
I am New England dirt.

I think I am touched
by the way you think.
I believe I can touch you
with the soft side
of a thought.
I am only touching
your skin in a dream
I had four years ago.

I think I am the alphabet
recited backwards
underwater. I believe
I am underwater
hoping to stop fearing my words
will rust. I am a rusted inner hull
of a houseboat tethered to a dock
in the 79th Street Boat Basin.

I believe I am a map
of New York City
drawn with lipstick.
I think I am being memorized
in my sleep. I am all the dreams
I can’t remember when I wake.

I believe I am a sad cedar
in a ghost forest waiting
for someone to make me laugh.
I think I am saltwater
that has kissed too many Midwestern rivers.
I am a freshly dug canal on an island
that turns out to be the kneecap
of a giant soaking in his tub.

I think I am still moving too fast
down a gravel road
in a speeding car. I believe I am
one little scar
beneath my left eyebrow,
another faded on my right cheek.
I am a station wagon way-back
harboring two restless spies.

I think I am a memory
of two guys named Matt mooning us
from a Rabbit as it raced down a boulevard
of beer and 20-year-old bravado.
I believe I am a rabbit
in an otter’s body.
I am really just a fish
with arms and breasts.

I think I am unlicensed.
I believe I am unlicensed.
I am unlicensed
to do anything but this.

I think I believe I am
you. We
are all
a little bit touched.

Feed

Big Star for breakfast
Uncle Tupelo for lunch
A.A. Bondy happy hour
fingernails and ‘Mats

a lousy dinner
so many songs
to love under
the covers overnight

I am no December boy
not your butch
never loved
a September gurl

I am a December boy
from another century

“I take out my heart . . .
fire it from a cannon”

a free for all
on a roadblocked main drag
cyclists and pedestrians
take over civil twilight

“no race is run
in this direction”

high water warnings
on the horizon
I know the river’s swelling
better than my own palms.

I Have Some Decisions to Make

translates to

farewell to undressing
in the evergreen wood
through a prairie wetland
under a natural bridge
beside a drained creek

farewell to hiding
inside an abandoned
boathouse waiting
for familiar voices
to fade away

farewell to believing
your shame
is love

farewell
my love

Where City Meets Woods Meets Lagoon

To go to my happy place
means trespassing across sea glass
beds I will never possess.
Land possesses me. Land that leans

over water—fresh and salt. Land that shifts
from hot to cold and repeat. Land
that reveals itself through fractured narratives
and images to prove and dispute

who got here first. I didn’t get anywhere first.
No more own my happy place than a hermit
crab pays rent to reside in a hand-blown glass
shell or one that glows in the dark.

Their housing crisis is ours.
The crustaceans got here first.