Gloaming

1. Multiverse

Who left the light on
after the big bang?

Who slammed the gate
and left a noise
swinging loose
on its hinge?

Is your world
leaking into mine?

I hold out
a bucket to capture
our future before
it escapes again.

2. Zeal

When she sees their faces touch
cheek to cheek, clenched

to scratched, she gives
the color green
an unnatural boost
toward a grayed-out sky.

When they say they don’t care,
she knows it’s a lie.

People in the limelight
can’t tell the difference.
That’s a question. Who still says
limelight is another.

She walks a twisted path
along a chalk cliff spine.

As night falls, her natural glow
turns mysterious and inside out.

To Regenerate or Not

how many times
can she knock a figure
off a pedestal
put it back up there
knock it off again

before it shatters
into a thousand tiny shards
of notes and skillfully rhymed words

before a sliver
of a G Major chord
blinds her left eye

before she can run
along a bridle path
free of all champing

and desire
to play with marble
and steel strings

There Go the Leaves

Time to stop
memorizing erased lines.

Forget borders to red
and gold memories

of events
she didn’t experience.

No one did,
or no one’s admitting

anything. Brown
branches claw their way

through a charcoal sky
to the other side.

And she kisses drizzled air,
so relieved to live

where four seasons
dare to break through.

Full Scaley

If she could print
a durable lover
whose limbs wouldn’t snap off
during the vacuuming stage.

And a little boathouse
where he could rest at night.

And a custom runabout
for early morning wakeboarding.

If, then
she would print
his kisses in burnished colors
to match the October sky.

With Broad Nails & Broken Homes

When I say bevel
my corners,
I mean those places
where I go
to break
from the tyranny

of worshipping parallel
lines. My love

of trains
and sidewalks
may outlast all others.
I thrive
on nonsense.
Feed me at daybreak

more than you can
import in a month.

I will be starved
for more before another blood
memory snaps
all the tree branches
and crashes on
the roof at noon.

The drinking
glass I smashed

last night
will heal by evening
if you want. If I want,
I go to one
of those corners
and search

for exposed edges
to my heart

to file down. Any
woodworking tool will do.

Cutout Black and Blues

“It’s kind of like Houdini in reverse. Instead of trying to escape, you’re trying to be let in.”
—Tom Waits

Let words cure overnight. Beware
stale napkins that crumble
to a fine white powder
when you grab one off the stack
to wipe your face, blow your nose. Beware.

For a music lover,
you sure have bad timing.
Hurry hurry hurry.
How many days
will you wait? Hurry hurry hurry.

Sad funny lovers with bad livers
that give out too soon.
After all these years,
you still know what it means
to watch a video

filmed inside a liquor store
with your eyes closed.

You view coffee bean roasters
with your ears. A background hum
helps you count
those one seconds
at a time with wired precision.

The one who died
almost five years ago
used to wait for them
to unlock the door
at 9 am every day but

Sunday. What did he do on Sundays
when he couldn’t drive
to Wisconsin anymore?
He never drank
coffee. Yoo-hoo instead. Ensure

and vodka at the very end.
Houdini didn’t drink.

If he had decided to dive backwards
into a fish tank, he might have
never left. You used to squeeze yourself
through milk chutes
till you realized

you didn’t want
in. Outside

you remember that Indiana sky.
Sunset or sunrise,
the horizon holds corn
between its teeth.
No other silhouette will do.

Last Day of Summer

Gloom. Bathos. I don’t want to be
that girl. I remember when

being that girl
meant flying a kite in Central Park.

Winking at a department store mannequin.
Seeing it wink back.

Biting a white glove. I let go
of all the strings

I’m holding. The wind died
hours ago. I wave my empty hands

through still warm air.
Another season blurs

its edges into the next.
I don’t drown.

Evening Creep

She defrosts
her freezer
in the middle

of every third
lunar cycle. Hears
a man

at another table
mention shell game.
All she wants

to find beneath
is a trail in the sand
the original

dweller left
behind. Pretends
she’s just fine

through the other
two cycles

when inside
bearing walls
close in.

Others begin
to sway. Unstabilized
bookcases shake

loose thin books.
Poems appear
to leap

to their demise.
Words scatter.
Some flee

under door
sweeps. Others
slice window screens

to escape. As evening
creeps in sooner, longer

toward the autumnal
equinox, she longs
for the bravado

of no regrets
beneath a thunder moon.

Ghosting

I forget
to say good-bye
to the bridge
before I cross it.

My silence
becomes the silence
in a field after a cattail fire
finally dies out.

Your eyes
tell me
to do it.

I trade rough
air for rough
water and swim
where I used to drown

before you
and those dangerous eyes.

I erase the horizon
with a cloth
covered in blood—

could be a fermented
raspberry smoothie
that exploded
in my hand.

I spit out
the wine
before it spits
out me.

Just in time
to hear the last minute
of “Night Fever,”

I want to walk one more block
beneath an elevated subway line
in a white dress
and platform shoes.

I want to dance alone
to the end

of a pier you and I saw
but were too afraid
to approach.

I won’t turn my back
on the waterfront,
or pretend
to be a contender.

What are we going to do
when Robert DeNiro is gone,
when the children have never heard of
Greta Garbo or Marlon Brando?

What’s that trick
when the artist draws
an entire world on a stucco wall
without lifting his brush?

Why is it a crime
to run a sentence
the full length of the sky,
but not a pencil line?

Color forgives
the wave its naked trespasses
in the dark.

The wide black vinyl belt
slips down too far now—
I hold my breath
against the eye doctor’s orders.

Because I could never ghost
anyone, especially you, or him, or him,
even if you invented the method,
used it on me more than once.

I don’t know what to say
about stalkers except

I hope they all get lockjaw
and spend eternity
in the Rust Belt.

My neck hurts
not from looking in both directions,
but from spinning my head
360 degrees like a good spinster.

Or solo musician who unscrews his,
places it in the passenger seat
so he has someone to talk to
on the lonely road.

It isn’t really funny,
but we laugh anyway
because he has those crazed eyes
and desire to see modern dance moves

in the elbow
of the man who stands
behind me.

All the widowed words
hesitate to walk into a bar.
No one wants to go first,
to be so alone again.

Greta Garbo would have
pushed one
inside the swinging door

just to watch the expression
it makes before falling
into place.

I might change my name
to tetanus
to honor all those ghosts,
I mean stalkers.

I mean who’s to say
it won’t end tomorrow,
or tonight, if the sky clears.

I believe every day
should be a Wednesday
night in the Flats.

When I find no stage
or maligned river,
I go searching for them
inside my wrecked heart.

He saw the scar you left,
licked it before I bit his cheek.
We laughed till the sun rose
in another Rust Belt city.

Ruined for this life, I hear
a solitude whisper to me
in an afterhours glow.

I lie in the middle
of an empty, one-way street
I love beyond reason
without a fear.

The Myth of Being Double-Jointed

“To love is to be a fish.
My boat wallows in the sea.
You who are free,
rescue the dead.”
—David Ignatow (“Rescue the Dead”)

to find a secret hollow
in an open field
to be

so fermented
to listen only
to the lowest ones

to harbor and worry
memories
to wear them out

to give an imaginary friend
the silent treatment
a muse a leave of absence
a guardian angel permission
to tweet what’s seen
when you lock the door at night

to release your grip
on the balcony rail
to choose to live nowhere

near the scene
of your last kiss
with anyone not just him

to believe in
marionette strings
more than a mannequin pose

is to be
the rescuer
and the rescued