I remember the day you were born
and I was told. Our sister
ran up the driveway, shouting
just after high noon:
“It’s a boy! It’s a boy!”
And she was right,
the Ouiji board was not.
She was right there,
you were somewhere
in a hospital I had come to hate.
I wanted you home,
wanted you to bring our mother with you,
so she could play her sacred
organ music again with those tiny
(critics say too small) hands and feet.
I was tired of waiting
for you. Tired
of waiting
for you
to bring our mother home.
But you needed time to incubate.
You were so tiny and perfect.
Shockingly perfect
given how little time
you gave yourself to compose.
And when you did come home,
and you brought our mother with you,
she dressed you in all white
knit sweaters and hats.
And I thought, no.
You should wear a different color—
maybe navy, perhaps gray,
no, definitely black—
and then, and only then, some white
in a minor key.
I wanted to invert the piano.
Wanted the sharps and flats
all white. I wanted
all the naturals
black. I wanted you to know this.
And so when I was told
you were here for me to feed
one quarter time,
I let you know
to reverse the piano
more than half time. I let you know
that you and I endangered our mother
twisting and breaking
our way into this world.
To honor her, we must
keep twisting and breaking
our way
into each moment alive
because it’s better that way.
Because I am so glad
you came home
and brought our mother with you.
Night & Day Poems of Amy Nash 