who chooses
their final
resting place
without a will
goes against covenants
meant to be
broken / baptized
twice they tried
desperately to save her
they overdid it
was it their truest
misguided expression
of love
nothing can
save her now
the Lehigh
did all it could
to point her east
due east
brackish or salt
definitely water
Author: Arambler
Winter Solstice
It’s the best
day of the year.
It won’t get any darker
than this—
rock bottom,
jumping off point,
no place to go
but up
toward the light.
A low-riding sun
interrupts the sky.
It’s not an interruption;
it’s a dialogue
to shake free
from fear
of the blues
in our private factories
whirring beneath
another midnight’s
high. You prefer
figure eights
to infinity. Nowhere
does the sun set
in the east,
“keeps risin’
in the west
I keep on wakin’
fully confused”
the song goes.
Why the tears?
Because you’re too afraid
to go home. The City
goes on
without you.
That boy’s going to be 60
before the year ends.
Then all of us
tail end
of the boomers
sixties babies
will start
following behind.
You used him
as an excuse
to ruin your life
till you hear
Rilke shout
“You must change your life.”
How did we get here,
fixed on this point
of the analemma?
No regrets
this far north,
running along
this beautifully flat
lake laden land.
So much light
to come
within your reach
from either side
of the solstice.
I prefer
to stand still
before another reversal.
In This One
You’ve married the wrong girl.
Never leave Minneapolis, me,
the not so innocent bystander.
A rundown mansion with high ceilings
and multiple turrets
on Pillsbury Avenue
your wife inherited
by mysterious means
brings you no joy.
You beckon me to join you
on the window seat,
really a chaise longue
for daydreaming,
a secret kept and discarded
decades ago.
Believe me, I get it—
how it feels to live
the wrong life.
If I had stayed put
in the city where I belonged,
we would have never met.
I wouldn’t know
who was making a cameo
in my dream last night.
How often do you curse
the moment
I first spoke to you?
I wake up to see you
are safe in your adopted home
thousands of miles from mine,
me, still a foster child
afraid of blades scraping
another frozen lake.
Telling On Us
Every acre, bend
in the tidal
estuary, schist foundation,
Douglas fir fungal network,
scorched field, baymouth bar at daybreak
has its own story.
We interrupt the telling
with another stolen narrative.
Oil stains on concrete and deadly fumes
didn’t kill the baby starfish
we captured to keep
as a pet in a bucket
in the beach house garage—
we did.
We interrupt the telling
with another stolen narrative
repeated like a broken meme
till a final dissolve recalls
the most invasive species before
it’s too late.
Ghosts of December 8
the Virgin Mary
immaculately conceived
John Lennon shot dead
in the archway embrace of the Dakota
more popular than her son
our day and night Dad
the 8th birthday
without you
numbers fade
from the page
no one to call
at dawn
that French bistro
on Madison Avenue
in Murray Hill
where we met halfway
you from Jersey
me CT
we were so tri-state
je suis un peu triste
moi aussi
Grand Central
our hello
good-bye stanza
the day’s haunts
this day haunts
the number 8
What’s Really in the Firebox?
With a wilted rose
carelessly dropped,
the enterprise soars over
chair factory debris
onto a turntable of nights.
Is it the heat
or crackle,
flicker or aroma
of burning wood
that walks you home?
Hearth is not such a dirty word.
Ash dump delicious,
keep the flue clean.
Love your chimney sweep.
Treat your fear
of bats flying
down and out
and around and overhead
with a simple,
braver beat.
Here’s hoping your cat
is still eyeing
winged movements
above in
the ever after.
A wrought-iron chandelier
and surrounding ribs
stare back—so fixed
the word “dangle” cannot squeeze
itself into the commons.
If you love the place
more than the people,
are you merely the thing
to pity, or
a true lover
of sidewalk ghosts
crossing narrow streets
to slip up tiny blocks—
so compressed and combustible,
renewable and releasing?
Vertical poetry at its best,
truth is the city never left you,
you left the city.
You heartbreaker,
living your unlicensed life
hoping to keep
your New Yorker status
perpetually renewed.
Wintry Mix
you hold the last particles
of the City in the warming
palm of your hand
she slowly removes her heart
from a 1985 photo taken inside
a subway car as it rises above
ground interior tags everywhere
burners burning bright
on the outside
you solitary city
dweller consider the middle
coffee bar hearths
flames ignite the hood of a parked pickup
reflection wrangles reality
in another glass pane
her blood travels
along this northern corridor
from the Mississippi to the Hudson
and back / it’s not the tears
it’s the battle to quell them
that burns a hole clear through
you wait for the night to reveal
how you celebrate this life
from hapless loser to happy loner
family / place / home / people
her apology to the planet
is never enough
you need a city
big enough to tuck into
sweet anonymity
she walks on ice
in the snow
then the rain
then the new weather
more mysterious
than the new math
a man with a bottle
of something brown
in his fist
outside Lowry Hill Liquors
screams words
you can’t decipher
shuffling through the slush with a walker
another man scolds the first
with head bowed the drunk one turns
retraces erratic steps
to hold the butcher shop door open
they both slip inside
she just wants to make it
to today’s coffee bar
without falling down
safe inside you’re going to need
another cup of coffee
to decode the morning already gone
Borough Blues
in this latest dream
I walk through a railroad apartment
space plays a cameo
I rent never buy
scour the no fee apartment listings
in the Village Voice on Tuesdays
never lived in Brooklyn
or Staten Island
I know someone who has lived
in all five
never celebrated a birthday in Queens
there was that nasty heatwave in 1988
living so close to LaGuardia
had no perks
never give up believing in the Bronx
step streets and graffiti and
a Riverdale Diner breakfast
hangover cure and all those books
I read on the 1 train
one hour each way
Manhattan is for marathons
and making that decision to leave
the one I will forever question
to the brink of regret
till I always remember
it’s better this way
longing is sweet
the Voice long gone
Elbow Room
who needs it
to be anonymous in a crowd
is the only dream you keep afloat
in a briny brew of ambivalence
the copper glow
of civil twilight
hovers momentarily above
the 79th Street Boat Basin
the Hotel Belleclaire
pretty on the outside
mille-feuille tucked inside
the view crumbles over an airshaft
hair dryers smoke to death
crowded coffee bars
no standing room
no end to stress
the end of stress
comes when you give away your power
in exchange for the thrill
of a wild brake free ride
you’ll never reach the Spuyten Duyvil
the way it once was
the mid-century Blue Building
blocks access to the Big C Rock
who will hold your hand
when you jump off
to prove your worth
to the Inwood Hill Park ridge
crossed the Broadway Bridge
on the #1 train
twice a day for 2 1/2 years
never thought about the water
you were crossing
on the way to Kingsbridge the Bronx
where you first declared yourself
a New Yorker
the way you will never be
a Minnesotan
the Mississippi
will not be claimed
if you can claim even a drop
of that forgotten creek
milk crates stolen from PS 7
a triptych of red doors
you admit nothing
as you stare at a rebuilt stoop
on Corlear Avenue
addicted to tears then as now
a thousand sheets
to the wind no more
when are you going to stop
this nonsense long enough
to report the worst
recurring nightmare of your life
in the bowels of the New York subway
the way it was
when you first experienced it
in 1976
could be the 168th Street Station
a crazy maze of narrow corridors
the stench and the heat
coming from somewhere
you can’t see
mysterious liquid dripping from rows
and rows of stalactites
dangling severely overhead
a pocket of cold threatens your feet
as you try to get from
the A to the 1
without falling over the edge
onto a thousand third rails
and the rats / well you know / bigger
than the biggest bread box
don’t look inside
you stuff yourself
into a crowded elevator
that goes down forever
a restroom you shouldn’t enter
neverending footsteps
behind you
getting closer
all the time
graffiti
do I hate you
do I love you
when you’re awake
Neptune and his sea
monsters in cast iron
stain a ring
around your heart
there is no treatment
there is no cure
there is this
vertical beauty
it’s not going anywhere
a map you know better
than your own footprints
in wet cement
Home In On Out
what is a creek
what is a house / the full
tally of waterways
cannot be accessed
this way / another flood
shuts down the lake
drive / meanwhile
California burns up
then down
colder than hell
makes sense for some
not this northern girl
I’ve been living here
too long / anywhere
there’s a drop
I will test for salt
to be certain
my own sitting down place
has a view
of the devil
as it spouts
on and off