The Ones Who Came from New York

Roadkill in black
eyeliner walks
through rain-soaked streets.
Some drift ghosted back 

into shaken
frames, the brittle
bone long since crushed
and brushed off. Others resurrect 

their posture in long black
boots to strut tall
toward their new hero
worship—could be shadow 

dancing, could be a spiritual
awakening to a higher
burn of wheels over the real man
hole concealing their souls.

After the Resurrection

To eat lemon
cake with a spoon,
to dream of walking on
that bridge with you 

(not beneath it
in a tourist vessel),
to be so confident
grace will follow 

is to be willing to go
where there are no
sidewalks and still reach
the hotel before it rains. 

To choose to stay
there instead of in 

a house, to fantasize
about local lobbies 

and dimly lit bars
encased in translucent glass 

and steel where the coffee is
strong and black, to imagine 

the sound of an elevator door
opening at my feet 

is the closest I come to memorizing
the music woven
into the fabric of this chaise
we might share.

Buds

They’re breaking through.
It feels early. I feel late 

to wake to the songs
everyone else hums. 

I am overripe
to the ones I replay 

because addiction is nothing
if not relentless 

repetition. Will the lyric
alter slightly with this listening 

to make it all about me?
If I can recover 

from the need to be
your you, perhaps you 

will relent—give one
up for me.

Steer Here

They say be
in the moment.
I say I want to be 

in that moment—that night
three summers ago
on a boat as it changes 

its course beneath the Brooklyn Bridge.
Pause into slow turning, live
guitars propel the motion. 

Or that moment after
the boat has docked
on the bank of the Cuyahoga,

the sound of guitars
still rings
in my ears—lips 

on mine before I know
what or who 

is happening. But not that
moment followed by the next
of seemingly unending sea 

sickness on a ferry
as it rocks across
the Aegean. And not that one still 

to come that I cannot
fathom. How do I become
willing to let go of the old rail 

to recognize when another exalted one
might strike? This question hangs
on tight.

Poetry Reading at the Fireroast Mountain Cafe, Sat., April 3

Amy Nash will be reading her poetry at the Fireroast Mountain Cafe in South Minneapolis on Saturday, April 3rd, at 7 pm.  The address and website are:

Fireroast Mountain Cafe
3800 37th Avenue South
Minneapolis, MN 55406
www.fireroastmountaincafe.com

The Other Side of Block E

Multiple star, high
end hotel with its opaque
smoke and mirror 

windows and dark
corridor leading to a bar
she just wants to see 

to steal a setting
for her make-believe
life. She doesn’t wear 

her glasses. She won’t
go inside. Her nearsightedness
leaves her 

outside conjuring
up sidewalk
impressions instead.

Hothouse April

I collected them
from their metal button holes
in a women’s bathroom stall.
I tucked one 

behind your ear, the other
behind mine. I did what I could
with them: message
in red, in elongated green, 

message in true thorn.
I did
what I could.
Should I have 

taken them
with me when I left
your room at dawn? 

A perfect poem
of the ridiculous becomes
subtle, becomes two roses
crossed on a table 

we left behind
by choice,
we left behind
by choice,
say it twice
for both of us,
for what’s left of them.